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This entry is an alternately goofy and vicious spy movie, and that's it. |
This one feels like it's telling a story in order to sell toys, instead of letting the toys serve as the spirit for a story. |
One could say that it doesn't disappoint, although one would also have to lower the bar of expectations to say that in a way that possesses any significance. [RogerEbert.com] |
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The film could have been done with
plenty of sentimentality, but director David Gordon Green would rather work in a
low-key way. |
It's about looking envy and pettiness in the face, laughing at those qualities, and then shuddering out of uncomfortable recognition. |
The movie is so intent on pointing out the sexism of the day … that it more or less brushes off a key part of Billie's life as something to be addressed later. |
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The Unknown Girl is too indecisive about its goals to be either an involving mystery or a study of morality. |
Schwarz also has made a sympathetic look at those who want to help our world and a damning study of human arrogance... |
The main takeaway of Manolo: The Boy Who Made Shoes for Lizards is that Manolo Blahnik makes really great shoes. |
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Shot is caught between two worlds: telling a straightforward story ... and fashioning a message movie... |
[I]t's never quite certain what we're supposed to take from all of this. |
The plan—to construct a team of agents who are in desperate need of some serious psychological evaluation—is tough to swallow. |
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Copyright © 2001-2017 by Mark Dujsik. All rights reserved. |
